t i s a g r a n i c i a

silent witness

2011-10-03T20:54:00.000-07:00

silent witness

decal on porcelain

11 x 9 cm

2010

the rose project ; may 30. 2011

2011-06-04T21:36:00.001-07:00

it was a lovely afternoon
and i hope KOCEF would love my project ;)

the rose project (day1-day11)

2011-02-15T04:32:00.000-08:00

invitation: LOVE/LIES(secret) #ARTiculation at Portico no. 4

2011-02-06T20:34:00.000-08:00

The things you keep quiet...
The things you dare to tell only to yourself...
forget the pink valentine hearts... they belong to illusion....

LINGGARseni & PORTICO present :

LOVE LIES ... (secret)
a collective exhibition for ARTiculation series 4

Tisa Granicia, Agra Satria, Sun Wahyu, Ika Putranto, Shawnee Putti, Vonny Ratna Indah, Puspita Sari, Mira Yasmin Sandytia.

Come and join us at Portico Terrace Bistro, Jakarta
Opening Night Feb 10th 18.00 PM
Artworks on display until March 22nd, 2011.

follow us @porticojkt or call (021)72781787 for more info

invitation : on heroic stage

2011-02-03T23:49:00.000-08:00

ON HEROIC STAGE
an exhibition by
Tommy Aditamaputra and Tisa Granicia
Opening : February 10; 7pm
February 10 - February 22 2011
CG Gallery Plaza Indonesia, Jakarta
curated by : Heru Hikayat

the sisters (series)

2011-02-01T23:55:00.000-08:00

The Sisters (series)
170 x 30x 30 cm (each)
crackled glaze, slipcasting white stoneware
white pedestal and engraved stainless.
2011

the twin sisters

2011-02-01T23:45:00.001-08:00

the twin sisters (series)
170 x 30x 30 cm (each)
crackled glaze, slipcasting white stoneware
white pedestal and engraved stainless.
2011

the room and furniture

2011-02-01T23:41:00.000-08:00

the room and furniture
130 x 30 x 100 cm
crackled glaze, slipcasting white stoneware
white pedestal and engraved stainless.
2011

invitation : 1001 doors ; interpreting traditions

2011-01-19T21:02:00.000-08:00

1001 DOORS

to my beloved family series #1

2010-10-06T02:24:00.000-07:00

to my beloved family series #1

pencil on paper

18x13 cm

2010

modern lust and desire #3

2010-07-20T00:17:00.001-07:00

modern lust and desire #3

decal on teaset

32x27x25 cm

2010

the dancing dine

2010-07-19T03:12:00.000-07:00

the dancing dine
a workshop with mella jaarsma

found object ceramics plate (cut)

silver chain

2009

i speak through my clothes

2010-07-17T01:30:00.001-07:00

i speak through my clothes

decal, glazed, white stoneware

3 x 33x 24 cm (each)

2010

modern lust and desire

2010-05-02T23:51:00.000-07:00

modern lust and desire
porcelain plate and decal
diameter 29.5 cm (each)
2010

something on canvas (a text of irony)

2010-03-24T05:24:00.000-07:00

something on canvas (a text of irony)
slipcasting white stoneware ceramics
glazed, decal
18x18 cm each
2010

my final works for my master degree :)

a drawing for summery

2010-03-12T01:54:00.000-08:00

brightest star
don't you worry
i am here to watch you smile.
"summery"

ink, drawing pen on paper
A5
2007

yellow sketch

2010-03-12T01:25:00.000-08:00

random images from my old sketch book

the dear deer

2010-02-01T00:10:00.000-08:00

a drawing for andry moch. tribute.
25x25
drawing pen on canvas
2008

my sister with her dog

2010-01-25T22:34:00.000-08:00

from the MY IMAGINARY FAMILY series, "my sister with her dog" being exhibited at lawang wangi 22 jan-22 feb 2010.
material: glazed ceramics stoneware
year : 2010

me and my sister

2009-12-22T23:40:00.000-08:00

they are really personal, dealing with my personal life being a single child.. i am missing my sister around :)

being exhibited at JAKARTA CONTEMPORARY CERAMICS BIENNALE #1, North Art Space, Pasar Seni Ancol, Jakarta
click here for more pictures..

sneak peek

2009-10-12T23:03:00.000-07:00

this work will be exhibited @Grand Indonesia tomorrow :) pls come ;)

tisa granicia for EAT

2009-09-24T21:17:00.000-07:00

both are my drawing that transferred into a tees by EAT, thank you EAT :)
anyone intersted?? there are many more from G.H.O.S.T , YKHA AMELZ, YOGI GINANJAR, etc
just click here!

blue cobalt on canvas

2009-06-09T02:10:00.001-07:00

blue cobalt on canvas
size : 14x14x2 cm
technique : slip casting, hand painted, under glazed, glazed, semi porcelain
year : 2009

this work will be exhibited at the we're all millionaires exhibition.

after vermeer

2009-04-30T02:36:00.000-07:00

title : after vermeer
technique : slipcasting, handpainted, glazed semi porcelain
size : 23x 23x 2 cm (each)
year : 2009

CONTEMPORARY ARCHEOLOGY

2009-04-30T00:07:00.000-07:00

mr. asmudjo jono irianto, the curator

Mrs. Rachel, the owner of Sigi ARTS

Mr. Paulus

icha, the most favorite girl

erwin windu pranata, the most emerging artist!

the happy joy joy family

mr. asmudjo, me, mrs. rachel, mrs. wendy

all photos were taken from the opening of CONTEMPORARY ARCHEOLOGY exhibition, Sigi arts Jl. Mahakam no. 11 Jakarta, April 28th 2009.

after vermeer (ceramics the process)

2009-04-15T02:30:00.000-07:00

those how they look, when i just finished painting them..
next step is to spray them with a transparent glaze, and put them into a kiln..

and lets see what happen tomorrow.. :D

OPENING EXHIBITION : REVISITING THE LAST SUPPER

2009-04-07T21:16:00.000-07:00

pictures taken from REVISITING THE LAST SUPPER opening exhibition. 31 March 2009. CG art Space, Plaza Indonesia Jakarta.

the lust supper

2009-04-07T20:58:00.000-07:00

THE LUST SUPPPER
hand painted glazed stoneware
d: 15 cm (each)
2009

I see the work of Leonardo da Vinci always highly appreciated by the
world. they tend to consume his masterpiece with such holy passion.
The work of Monalisa and The Last Supper maybe the most well-known
masterpiece of this grand artist. both work even have their own spot
in such books and movies. Particularly, the last supper intrigued a
various interpretation due to its appearance. so this work of mine
is based on this phenomena which i also try to revisit The Last
Supper.
I like to call this work as The Lust Supper. The Lust Supper here
means that this very particular masterpiece has always be consumed
with high adoration, appreciation, worshiped like God himself and so
i might say it is like a lust for arts. The plate it self symbolize
the way supper is served.

REVISITING THE LAST SUPPER

2009-03-26T00:39:00.000-07:00

REVISITING THE LAST SUPPER
31 Maret – 5 April 2009

PLACE: CG Artspace, Plaza Indonesia Lt. 3. Jakarta

OPENING : 31 Maret 2009.
TIME19.00 WIB

ARTISTS ARE :

Teguh Ostenrik, Hanafi, Ronald Manulang, Davy Linggar, J. Ariadhitya Pramuhendra, Albert Yonathan, Tisa Granicia, Beatrix Hendriani Kaswara (Bex), Hamdan Omar, Indra Leonardi, Yogie Ahmad Ginanjar, Chandra Johan, Tommy Tenggara, Agus’Kacrut’ Sumiantara, Jay Ticar dan Amy Aragon (Filipina).

CURATOR: Rifky Effendy

Catatan Kuratorial

“Do this in remembrance of me" (1 Corinthians 11:23–26 by Paul the Apostle)

Karya-karya dalam pameran REVISITING THE LAST SUPPER ini adalah hasil dari penafsiran terhadap Last Supper atau “ perjamuan terakhir” oleh para perupa, dengan didasari oleh undangan khusus. Ada tiga bagian utama dalam menafsir kembali The Last Supper. Pertama adalah sebagai pendekatan apropriasi atau mendekati subjek dengan sumber-sumber imaji karya lukisan Last Supper yang pernah dilukis maupun digambarkan dari jaman ke jaman.

Seperti karya para pelukis era renaisan, terutama Leonardo Da Vinci , pada abad 15, yang menafsir ulang perjamuan terakhir dengan cara yang berbeda dijamannya. Sehingga karya fresco di Gereja Maria delle Grazie, di Milan ini dianggap salah satu karya lukisan dinding yang amat penting karena selain sebagai sebuah karya seni bernilai reliji bagi umat Kristiani. The Last Supper versi Leonardo, secara kesejarahan (seni rupa barat) juga dianggap karya yang mengandung pemikiran dan kaidah-kaidah cara pandang diluar kelaziman, suatu metode glorifikasi atau dengan menguraikan adegan tersebut secara panorama 360 derajat yang dramatis dan matematis.

Pendekatan apropriasi dengan parodi atau pelesetan, pastische atau meminjam tanda dengan menggabungkan antara tema dan gaya dari karya yang pernah dibuat seniman lain atau bersifat derivative, serta bentuk – bentuk penggambaran yang bermakna berbeda dari makna karya muasalnya menjadi lazim dalam praktik seni kontemporer. Karena dengan pendekatan imaji, sang seniman biasanya menggunakan atau meminjam tanda-tanda dari imaji tersebut, untuk tujuan-tujuan yang sama sekali berbeda dan personal. Atau menggunakan imaji itu sebagai suatu kendaraan maupun sebagai metafor untuk mempersoalkan suatu hal lain yang bersifat kritik, maupun reaksi serta respon atas tanda-tanda, simbol dan metafor dalam karya sebelumnya.

Kedua, penafsiran teks Injili. Dalam menafsirkan teks biasanya sang seniman memaknai untuk tujuan yang berhubungan dengan konteks relijiositas. Alih-alih menjadi penciptaan karya yang didasari oleh makna keimanan terhadap ajaran Kristiani. Namun tak dipungkiri untuk dimaknai diluar konteks reliji, penggalian teks bisa dilakukan untuk memaknai kembali “ Perjamuan Terakhir” dari sisi simbolik, kesejarahan maupun sebagai penggalan narasi penting sebagai suatu permenungan nilai-nilainya bagi umat manusia secara luas.

Ketiga adalah penafsiran ulang makna “Perjamuan Terakhir”, yang didasari gabungan imaji dan teks (Injil). Alih-alih bahwa penciptaan karya didasari oleh imaji dan juga oleh konteks relijiositasnya. Novel laris dan kontroversial, Da Vinci Code karangan Dan Brown memanfaatkan teks Injil serta sejarah seni sebagai acuan , sehingga alur cerita menjadi seolah mengandung kebenaran, bahkan memicu reaksi serta menuai kontroversi dari pihak-pihak tertentu. Kontroversi “ Da Vinci Code” menunjukan bahwa The Last Supper dan sekaligus Leonardo da Vinci telah menjadi mitos dalam kehidupan budaya barat dan era global. Sebagai gambaran tragedi sejarah manusia serta ambiguitasnya.

Mitos - setidaknya menurut pakar semiologi Perancis - Roland Barthes, merupakan semacam ‘representasi’ kolektif, menaturalisasikan budaya (sejarah), mitos saat ini lebih berupa “ wacana” daripada kisah panjang. Maka pameran REVISITING THE LAST SUPPER merupakan juga sebagai upaya pendekatan terhadap mitos – mitos yang melingkupi konteks ‘Perjamuan Terakhir’ saat ini, melalui penafsiran secara artistik perupa dengan melibatkan pandangan pribadi masing-masing.

Tentu saja lewat karya - karya ini bagi 16 perupa : Teguh Ostenrik, Hanafi, Ronald Manulang, Davy Linggar, J. Ariadhitya Pramuhendra, Albert Yonathan, Tisa Granicia, Beatrix Hendriani Kaswara (Bex), Hamdan Omar, Indra Leonardi, Yogie Ahmad Ginanjar, Tommy Tenggara, Chandra Johan, Agus’Kacrut’ Sumiantara, Jay Ticar dan Amy Aragon (Filipina) sekaligus pemirsanya punya makna dan tujuan masing-masing, justru keberagaman ini membuktikan bahwa kebebasan artistik dan metoda pendekatan yang bisa memberikan pandangan baru atau cara melihat yang beda. Dan disinilah sebenarnya pondasi dinding untuk meredam mitos-mitos sebelumnya terbangun.

Rifky Effendy
Kurator

Rifky Effendy
http://icurator.wordpress.com
http://imaginingjakarta.wordpress.com
http://contempartnow.wordpress.com

sumastania and her dog

2009-03-17T00:34:00.000-07:00

a drawing for my beloved friend, dea. i gave u the dog to take care of you! :D

painting with glaze on canvas

2009-03-05T20:47:00.000-08:00

its about the material identity

between canvas and ceramics..

ceramics and canvas..

title : "painting with glaze on canvas"
material : glazed semi porcelain
size : 24x24x2 cm (each)
year : 2009

glazed on canvas

2009-03-03T23:58:00.001-08:00

glazed on canvas
material : glazed semi porcelain
year : 2009

The Hardness of an Ease

2009-03-03T21:19:00.000-08:00

text about EASY PROJECT #3

G*d knows how hard I tried to decipher these texts in front of me, squeezing any possible discourse around and within them. I have been referring to past projects, picking up some of the exhibitors' brains ,+ looking at the twenty-percent of the materials for the forthcoming exposition for a while now. I even consulted years-old school text book to reach the intended climax [Seeing & Writing 2, by McQuade/McQuade, found in Phnom Penh's used book sales, of course.] Having the texts endlessly contradicting themselves, + most probably being blocked by my presumptions for artists' initiatives, I honestly still have nada, nothing, no angle for attacking them.
The only things easy in these projects are left on the title + the ascending numbering system following them [reminded me of albums by legends such as Led Zeppelin, or Soft Machine, and titles for sinetron, or porn flicks], also in you, the audience, to experience the fun + enjoyable part of it. One thing for sure, the exhibitors took nothing easy, pieces are built exquisitely not only in technical terms, but also in the term of realms. To wander silently inside your head, stimulated by the works, you literally could go to Mars and back, making it impossible to pin down the spectacle in front of your eyes using a single verbal text [excuses, excuses.] The only question remains [which makes writing this piece of shit priceless]: presentation. How would these objects put into context, in reference to themselves as well as in relation to the others? The answer would provide the underlying strength that could define this specific intervention as a project hits or misses. Put the task in a temporal constraint – this time is Easy Project's first shot at for a longer period of exposure: two days – and you would get a condition that, as I stated before, is never easy.
For me, in order to take the exhibition as intended, this temporarily altered space should be perceived as the process of going home after spending your day + most of our energy making ends meet in this industrialized society: with exhaustion but in mixed hope, expectations + intentions. But, please do your best to remember, that not unlike any domesticated life, maybe some things are better left unsaid + unstated. Stop trying too hard: start taking it easy.
Have gotten into that, what the fuck am I doing by still writing this in English anyway?

Phnom Penh, o9_o221,
.farid rakun

EASY PROJECT #3

2009-03-03T20:35:00.000-08:00

EASY PROJECT #3

February 28th - March 1st, 2009
Opening: February 28th, 2009; 4pm -drop
Artists : 35 artists

Place: CMNK Gallery
Address : Jl. Cigadung Raya

Opening Act :
A STONE A
Andit Records

What? It is Art. It should be close, but it is far. Like God, like sex. They should be close, but they are far.
Who made it far? We made it far.
Why? Because it is so complete yet simple. Well done yet humble. We're afraid that that dualism make it not real. Fictional. Like Romeo and Juliet. Like Star Wars. Thus, we made it far.
How? We put it up high in the sky. Far away untouched, so sensitive and expensive. So many regulations. Massive and Great. Too hurt to be touched. Too bright to be seen.
So? Let it stay up there. Let us now down here making stairs. From simple and 'easy' materials. Hopefully, we'll learn, it'll learn, that it was originally humble.

Easy Project is one of that effort.

text by : yori frisa papilaya (one of the artist)

painting on canvas

2009-01-12T01:39:00.000-08:00

this works called "painting on canvas"

a series of ceramics canvas with hand painted animal on it.

material : glazed semi porcelain

size : 24x24x2 cm each

fantasizing my paranoia

2008-11-03T01:32:00.000-08:00

the idea is about the fear, the fear that becomes a really abstract in many ways.. they just hunting us even in a very private room like our bathroom.. grenades is the manifestation of the fear it self, and i prefer to fantasize the fear in to a very happy mood through the color of the grenades, lemon green.. all you see is lemon green!!! the work was exhibited at the EASY PROJECT #2, HOUSE EXHIBITION at Rumah Buku Bandung, Indonesia.

let me celebrate

2008-10-29T04:15:00.000-07:00

an installation of 6 ceramic plates with decal ornament of me celebrating my self, playing around with many different animals..

i'm a hunter

2008-10-28T02:54:00.000-07:00

this work is a really personal work, besides the concept of me celebrating the international and gender identity, i'm also imagining myself on becoming a variable animals of the jungle. its like a metaphor of me being survived inside the indonesian contemporary art world.

celebrating the identity

2008-10-28T01:37:00.000-07:00

still talking about celebrate and celebrating identity.

i'm going hunting

2008-10-28T01:36:00.000-07:00

this work have the same pattern from the bust me in china works. i made this ceramics sculpture in order to celebrate the identity of the international and gender issues. this work was nominated as 31 most great works for Indonesia Art Award 2008, held on National Gallery Jakarta.

in bag we trust

2008-10-28T00:58:00.000-07:00

this work is not bigger than 5x5x5 cm, a really small ceramic works made from stone ware, exhibited inside a very small boxes named mini gallery around soemardja gallery, there was about 30 young local artists showing their small works.

bust me in china

2008-10-27T22:45:00.000-07:00

bust me in china, this is how i called my bust series of work, the works contain of seven busts of my own portrait figure, i steal many ornament from china, and put them on the busts..

where do we go from here?

2007-04-22T10:41:00.000-07:00

this is a collaboration work with budi adi nugroho for bandung new emergence exihibition held at selasar sunaryo art space.. it was an interactive site specific instalation project, audience can step over the stairs but finally they will find a dead end..

campaign project #1

2007-04-22T10:30:00.000-07:00

it was a workshop project with azlan mc lenan, he's a young artist from australia who have a controvertial backround family..he talks about politics, he often made some video works colaboration with his friend named mike. my works is an istalation made from rolling led text, the text is about social, political, and economic issues here in Indonesia.

unidentified ffff... object

2007-04-22T10:18:00.000-07:00

i made this instalation when i was joining "skip: bandung young artist residence" on 2005 that held at the Sanggar Luhur gallery in bandung, there were about 5 artists from three different university in Bandung.. work together, and there were so much discussion about what we were going to made, it was intersting working with another artist on the same place knowing they came from different background. this works tells about the place (sanggar luhur gallery) wich is very known as the place for UFO's landing..

a gift for you

2007-04-22T10:10:00.000-07:00

i made this work for MY BLOODY VALENTINE exihibition in Bandung at February 2005, it was valentine's day.. there was three cotton pillows with spikes displayed at the corner of the room.. an instalation, a bloody instalation i think! :p

my imaginary family

2007-04-22T09:57:00.000-07:00

this is my final exam work, it tells about loneliness that i've been trough since i being a single child of my family.. my only fantasy is to have many sister and brother so i dont have to be lonely anymore, it was also a really personal works, but i hope many people realize that our families are the most important things in life..

house

2007-04-05T04:48:00.000-07:00

i made this one while i was joining a workshop that held at the gallery campus called Galeri Soemardja, it was a week workshop with Toshihiro Kuno. He's an artist whos very famous in japan. he made this colaboration project in Indonesia..

i killed barbie last night

2007-04-05T04:41:00.000-07:00

the third one is called I KILLED BARBIE LAST NIGHT, i don't have to explain that clearly, im sure u will notice what the work is tryin to say tho.. it was also exihibited in late 2004 in National gallery of Indonesia,of course in our capital city JAKARTA.. the exihibition it self called Young Ceramics Artists ..

heart goes to public

2007-04-05T04:34:00.000-07:00

so.. after i made the dari dalam hati, i brought the work to public.. i met people, and ask about how they felt that day and told them to wrote down on paper, and took a pics of them, then i had the fotos dispalyed at our campus gallery.. it was so intersting to meet people like that, and they also enjoy what we were doing..

dari dalam hati

2007-04-05T04:22:00.000-07:00

this called dari dalam hati.. means inside our heart.. the material is ceramic glaze with high firing, it was my first project that being exihibited. deals with our feeling, emotion, moods, etc. it was so personal, and really sensitif..